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Gassett, 30,000 people come to one wildlife area in Indiana ( Jasper-Pulaski Wildlife Area) each year just to watch these big gray birds. More than 10,000 people hunt cranes in North America each year.”ĭr. Well, fire up my grill.Īlso from his letter: “ They have been hunted for more than 50 years in the United States, and all three populations which have been hunted are currently at population highs. Gassett’s answering machine, which someone calling to protest the hunt is likely to encounter, is a similar message about the quality of crane meat.
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Hunters frequently refer to them as “Rib-eye in the Sky” due to the excellent taste.” Their slow wing beat keeps the breast meat from being as dark and strong flavored as many other migratory birds. “ Sandhill cranes are considered to be one of the best tasting of all migratory birds. Gassett, replying to a letter questioning the hunt, opens thus: The second paragraph of a recent letter from Dr. KDFW Commissioner Jon Gassett replies to his mail, I’ll commend him for that.
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Odd as it may seem to those of us who abhor the thought of shooting a crane, there are several Commission members who seem to believe that being the first Eastern Flyway state to institute a crane season would be a feather in Kentucky’s cap. of Fish and Wildlife Resources-who will get together on June 3, 2011, to vote on whether to open season on Sandhill Cranes in Kentucky.
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This time, it’s the full commission– nine members of the Kentucky Dept. Follow her on Twitter at a vinyl copy of Solange’s A Seat at the Table at the OKP Shop.As part of my effort to keep concerned wildlife enthusiasts informed about the proposal to hunt Eastern Flyway sandhill cranes, it is my duty to tell you that there’s another vote coming up. Sofiya Ballin is a writer and Features Reporter at the Philadelphia Inquirer. The “it” may not go away, but we keep going.
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There’s freedom and peace in knowing that you won’t know. In that moment, she’s letting go of control. Upbeat syncopation with mellow strings and vocals highlight the victory in the loss.Īt the end of the song, Solange hits a piercing falsetto. It manages to be joyous and melancholy at the same time. What people love more about Solange’s siren song is that it’s a chameleon. You may never be the same as before.Īnd it’s okay. This me has battle scars that she has to live with daily. “Cranes in the Sky” reminds you that there is an “it” you carry around, that you don’t always get the answers and that you don’t always get closure. A stirring you can’t quite put your finger on, so you feel everything and nothing at the same time. She makes you feel something complicated. It’s uncomfortable and unsettling because there’s absolutely no closure. But she’s letting you know there will still be scars. Solange’s voice is soothing, a balmy dressing for the lacerations. What “Cranes” reveals is that time doesn’t heal all wounds, but instead you learn to live with the gashes. And I had to face the reality: some of it may never go away. The working, the traveling, the physical changes weren’t going to make it go away. I was holding on to a lot of anger, insecurity, unnecessary expectations for myself and other people and a lot of pressure.
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An idea of what I thought love and life was supposed to be and when I found out otherwise, I didn’t know how to deal. It was after playing the song on several Sundays over refilled tea cups and a battered journal that I realized I was grieving. It could be depression, mourning, or feeling lost. Sometimes I don’t want to feel those metal clouds. I just needed her to tell me what worked. I needed to know, because if she could get rid of “it,” then I could, too. She exposed something in me but wasn’t handing me the answers. I kept looking for an exit and Solange, like a goalie, blocked every shot.